ART HISTORY ARTICLES
Panorama: Journal of the Association of Historians of American Art 7, no. 1 (Spring 2021), https://doi.org/10.24926/24716839.11712.
Switch on Paper, France, October 2, 2020.
The Journal of Asian Arts & Aesthetics, Taiwan, April 2020.
Artists’ Estates: When Trust is Betrayed
Ritsumeikan Social Sciences Review, Ritsumeikan University, Kyoto, Japan, (translation of my essay from Gail Levin and Elaine A. King, eds. Ethics and the Visual Arts, New York, Allworth Press, 2006.), vol. 55, no. 1, June 2019, pp. 155-170.
Breakthrough: Krasner turns the tables
RA Royal Academy of the Arts Magazine, no. 143, London, Summer 2019, p. 24.
Getting to Know Lee Krasner
Apollo, London, April 23, 2019.
Edward Hopper, Literature, and Landscape
Ritsumeikan Studies in Language and Culture, Ritsumeikan University, Kyoto, Japan, vol. 29, no. 4, March 2018, pp. 127-143.
special issue, “Cartographic Styles and Discourse” of The Artl@s Bulletin, an international transdisciplinary journal devoted to spatial and transnational questions in the history of the arts, 2018.
Gail Levin, Peach Girl, 2015, collage on paper, collection unknown: stolen; reward offered for its safe return.
Jewish Historical Studies, Transactions of the Jewish Historical Society of England, vol. 49, London, January 2018, 1-11.
in The Nomadic Journal, November 22, 2017, Parts I & II, Los Angeles: CA.
Journal of Modern Jewish Studies, volume 15, no. 1, 2016 in Special Issue: “Configuring and Contesting Jewish Identities in the Visual Field.”
Essay and exhibition review, in East Hampton Star, September 22, 2016, C1.
The Brooklyn Rail, October 5, 2015.
Brooklyn Rail, Special issue Ad Reinhardt Centennial 1913-2013, December 2013/January 2014, p. 65.
Arte y Parte, no. 106, August-September 2013, pp. 22-37.
Jackson Pollock, Lee Krasner and a New Concept of Nature
Ritsumeikan Studies in Language and Culture, vol. 24, no. 3, Ritsumeikan University, Kyoto, Japan, 2013.
Visual Culture and the Beginnings of the Environmental Movement in the United States
Journal of Jiangsu University (Social Science Edition, School of Foreign Languages, Shandong Polytechnic University, Jinan, China), September 2012, vol 14, no. 5.
SOURCE Notes in the History of Art Vol. XXXI No. 3 Spring 2012 pp. 11-22
Et Paris créa Hopper
in Edward Hopper au Grand Palais, Beaux Arts éditions, Paris, France, Autumn 2012, pp. 12-21.
Edward Hopper and l’Influence de Paris
Beaux Arts, Paris, France, October 2012, pp. 73-79.
in Archives of American Art Journal, vol. 50, nos. 1-2, Spring 2011, pp. 4-19.
Art World Power and Women’s Incognito Work: The Cases of Edward and Jo Hopper and other Artist Couples
Journal of the Faculty of Letters, vol. 54, Okayama University, Japan, December 2010 pp. 147-171 (expanded version of that published in Museums and Gender.)
Reflections on an Exhibition in Nagoya: Contemporary American Artists and Environmental Concerns
in The Journal of Asian Arts & Aesthetics, vol. 4, 2010, pp. 51-65.
Researching at the Archives of American Art
in Archives of American Art Journal, Smithsonian Institution, vol. 49, nos. 1-2, spring 2010, p. 28.
Chi ha paura di Judy Chicago
in Le Voci della Luna, Bologna, Italy, March 2009, no. 43, pp. 12-15.
Nashim: A Journal of Jewish Women’s Studies & Gender Issues, Indiana University Press; Number 14, Fall 5768/2007, pp. 63-96.
Woman’s Art Journal, published by Rutgers University, Fall 2007, vol. 28, no. 2, pp. 28-34.
Dissent, published by the Foundation For the Study of Independent Social Ideas, Inc., New York, NY, Spring 2007, 87-92; reprinted autumn 2007 in Rain and Thunder: A Radical Feminist Journal of Discussion and Activism, published by the Rain and Thunder Collective, Northampton, Massachusetts, issue #36, pp. 33-36.
A Scholar’s Perspective: The Edward Hopper Catalogue Raisonné
in Catalogues Raisonnés and the Authentication Process—Where the Ivory Tower Meets the Marketplace: IFAR Journal, The International Foundation for Art Research, New York, special double issue, Volume 8, Nos. 3 & 4, Fall 2006, pp. 117-121.
Modern Jewish Studies, vol. 1, # 2, July 2005, pp. 205-232.
Woman’s Art Journal, vol. 26, no. 1, May 2005, pp. 8-14.
Archives of American Art Journal, vol. 43, nos. 3-4, 2003 (October 2004), pp. 2-17.
Problems in Dating: Putting the Catalogue Raisonné in Order
CRSA Forum The Newsletter of the Catalogue Raisonné Scholars Association, Autumn 2004, no. 15, pp. 1 and 5-9
American Women Artists, Art Dealers, and Museum Personnel: Feminists or Self-Involved Careerists?
Art Research, vol. 4, March 2004, Ritsumeikan University, Kyoto, Japan, pp. 5-22.
Biography and the Visual Arts: The Problematic Interface of Images and Life
Biography and Source Studies, vol. 8, 2004, pp. 121-137.
Learning to Appreciate Judy Chicago
Women in the Arts, National Museum of Women in the Arts, Washington, D.C., Fall 2002, vol. XX, No. 2, pp. 12-17.
Learning about the Self through Biography
in Biography and Source Studies, vol. 7, 2002, pp. 1-16.
Being American: Folk Origins of Appalachian Spring
in Aaron Copland: Letter from Copland House, Cortland Manor, New York, spring 2001, vol. IV, no. 1, p. 3.
Visualizing Modernity and Tradition in Copland’s America
in Institute for Studies in American Music Newsletter, vol. XXX, no.1, fall 2000, pp. 6-7 and 15.
Treasure and Trouble: The Role of Gender in the Reception of New Archival Sources
Biography and Source Studies, vol. 5, AMS Press, Inc., 2000, pp. 1-16.
The Painterly Vision of Derek Walcott and Donald Hinkson
in Latino (a) Research Review, vol. 4, no. 1-2, spring/winter 2000, pp. 46-48, (co-author with John B.Van Sickle).
Elie Nadelman’s New Classicism
in Sculpture Review, Spring 1998, vol. XLVI, no. 4, pp. 9-11; revised version of 1997 monograph article; (co-author with John B. Van Sickle).
Edward Hopper’s ‘Nighthawks,’ Surrealism, and the War
in Mary Reynolds and the Spirit of Surrealism, Museum Studies, vol. 22, Art Institute of Chicago, 1996, pp. 180-195.
Biography & Catalogue Raisonné: Edward Hopper in Two Genres
Biography and Source Studies, vol. 2, 1996.
Edward Hopper: Through the Biographer’s Lens
Art Times, 12, September 1995, pp. 12-13.
Changing Cultures: The Recent Immigration of Chinese Artists to the United States
Asian Art News, September-October 1994, pp. 70-73.
Photography’s `Appeal’ to Marsden Hartley
The Yale University Library Gazette, October 1993, pp. 12-42.
American Art Review, Winter 1993, pp. 122-125 & 170-172.
The Recent Immigration of Chinese Artists to the USA
Vytvarne Umeni The Magazine for Contemporary Art, Prague, 1992, pp. 103-107.
Reflections on Painting in Marsden Hartley’s Poem: `Lewiston is a Pleasant Place’
Provincetown Arts, summer 1992, pp. 97-98.
The Response to Picasso’s Guernica in New York
Jong Holland (The Netherlands), vol. 7, 1991, pp. 2-11.
Immigrant Artists from China
Art Times, vol. 7, no. 9, May 1991, pp. 10-11.
[excerpt from book], Monthly Art Magazine Bijutsu Techo [Japan], February 1989, pp. 60-62.
Edward Hopper and Contemporary Artists
Monthly Art Magazine Bijutsu Techo [Japan], February 1989, pp. 66-76. [expansion of article below].
Art Times, 5, December 1988, pp. 1 & 4.
Byron Browne in the Context of Abstract Expressionism
Arts Magazine, June/summer 1985, pp. 129-133.
‘Primitivism’ in American Art: Some Literary Parallels of the 1910s and 1920s
Arts Magazine, November 1984, pp. 101-105.
The Office Image in the Visual Arts
Arts Magazine, September 1984, pp. 98-103.
In the Footsteps of Edward Hopper
Geo, February 1983, pp. 36-45; republished as “Edward Hopper’s Selective Vision of Reality,” Span, New Dehli, India, pp. 40-43.
Artistes, vol. 12, Paris, August-September 1982, pp. 16-27.
Konrad Cramer: Link from the German to the American Avant-garde
Arts Magazine, February 1982 (re-publication), pp. 145-149.
Symbol and Reality in Edward Hopper’s `Room in New York’
Arts Magazine, January 1982, pp. 148-153.
Thomas Hart Benton, Synchromism, and Abstract Art
Arts Magazine, December 1981, pp. 144-148.
Art Journal, Summer 1981, pp. 115-117.
Edward Hopper’s `Nighthawks’
Arts Magazine, May 1981, pp.154-161.
Monthly Art Magazine Bijutsu Techo, March 1981 (Japanese), pp. 162-186.
Art News, October 1980, pp. 144-147.
Edward Hopper: The Influence of Theater and Film
Arts Magazine, October 1980, pp. 123-27
Hopper, un gigante del realismo americano: l’america e sola al mondo
BolaffiArte, October 1980, pp. 42-48.
Edward Hopper: The Artist
Museum Magazine, September-October 1980, pp. 66-67.
Edward Hopper’s Evening
The Connoisseur, September 1980, pp. 56-63.
Woman’s Art Journal, Spring/ Summer 1980, pp. 28-32.
Richard Pousette-Dart’s Emergence as an Abstract Expressionist
Arts Magazine, March 1980, pp. 125-129.
Edward Hopper and the Whitney
Horizon, September 1980.
Edward Hopper: The Art and the Artist
USA Today, November 1980, pp. 32-38 (republication).
Blaise Cendrars and Morgan Russell: Chronicle of a Friendship
Dada and Surrealism, 1979, pp. 5-19.
Wassily Kandinsky and the American Literary Avant-Garde
Criticism: a Quarterly for Literature and the Arts, Fall 1979, pp. 347-361.
Hopper’s Etchings: Some of the Finest Examples of American Printmaking
Art News, September 1979, pp. 90-93.
Patrick Henry Bruce and Arthur Burdett Frost, Jr.: From the Henri Class to the Avant-Garde
Arts Magazine, April 1979, pp. 102-106.
Synchromism: The State of Scholarship: Past, Present, and Future
Arts Magazine, September 1978,” pp. 131-135.
Andrew Dasburg: Recollections of the Avant-Garde
Arts Magazine, April 1978, pp. 126-130.
James Daugherty: Early Modernist and Simultaneist
The Whitney Review, 1976-77, 1978, pp. 24-27.
Edward Hopper’s `Office at Night’
Arts Magazine, January 1978, pp. 134-137.
Marsden Hartley, Kandinsky, and Der Blaue Reiter
Arts Magazine, November 1977, pp. 156-160.
Morgan Russell’s `Synchromy in Orange: To Form’
Gallery Studies, Albright-Knox Art Gallery, October 1977, pp. 4-10.
The Tradition of the Heroic Figure in Synchromist Abstraction
Arts Magazine, June 1977, pp. 138-142.
Morgan Russell’s Notebooks: An American Avant-Garde Painter in Paris
RACAR Canadian Art Review, vol.3, no. 3, 1976, pp. 73-87.