As Curator

Connie Fox and William King: An Artist Couple

Guild Hall Museum, East Hampton, NY, October 23-December 31, 2016.

Snapshot of Exhibition poster

Jazz: painting by Fox and sculpture by King

Decorative Art: Rug by Fox and Chairs by King

Theresa Bernstein: A Century in Art

James Gallery, The Graduate Center, The City University of New York, November 12, 2013-January 18, 2014 and touring to four other museums.


 Cover of the exhibition catalogue: Painting now in the National Gallery of Art


Panelists of the Theresa Bernstein Symposium on 11/13/2013: Michele Cohen at Podium, Gail Levin, Stephanie Hackett, Gillian Pistell, Kirsten Swinth , Elsie Heung, Sarah Archino


Opening of the exhibition at Baruch College’s Sidney Mishkin Gallery with Martin and Edith Stein


About the Artist: Our Project’s Research Website
Exhibition News and Announcements
Exhibition Tour
Installation of the retrospective at the woodmere art museum, PHILADELPHIA
Bernstein News Post-Exhibition: ACquisitions of Bernstein’s paintings by the NAtional GALLery of Art, Washington, D.C.; The Art Institute of Chicago; and Many other Museums

Judy Chicago: Jewish Identity, Hebrew Union College Institute of Religion Museum

February 8-July, 2007 (co-curator with Laura Kruger); touring to the the Jewish Museum of Maryland in Baltimore, September- December 30, 2007; the Jewish Museum of Florida, Miami, September 8, 2009-February 7, 2010.

Judy Chicago Jewish Identity Cover

Aaron Copland’s America

Heckscher Museum, Huntington, NY, November 4- 2000-January 21, 2001.

Aaron Copland's America


Angel Mateo Charris

IVAM (Instituto Valenciano de Arte Moderno) Centre Julio Gonzalez, October-December 1999, Valencia, Spain.

Angel Mateo Charris cover

The Poetry of Solitude: Edward Hopper’s Drawings

Hunter Museum of Art, Chattanooga, Tennessee, September 9-October 15, 1995.

Changing Cultures: Recent Artist Immigrants from China

Baruch College Gallery, New York, April-May 1991; Fred L. Emerson Gallery, Hamilton College, Clinton, New York, November 21, 1991-January 8, 1992.

Changing Cultures Cover

Marsden Hartley in Bavaria

Fred L. Emerson Gallery, Hamilton College, Clinton, New York, Fall 1989, (circulating to the Milwaukee Art Museum, Bowdoin College Art Museum, and Baruch College Gallery. NEA sponsored).

Marsden Hartley in Bavaria Cover

NY Times Exhibition Review

Artists of the South Fork: Selections from the Guild Hall Museum

East Hampton, New York, Baruch College Gallery, September 22 to November 3, 1989.

Homage to Edward Hopper: Quoting the American Realist

(exhibition on contemporary artists’ responses to the artist’s work), Baruch College Gallery, November 3-December 23, 1988.

 Forecasts: Visions of Technology in Contemporary Painting and Sculpture

Nerlino Gallery, New York City, September 24-October 25, 1988.

Edward Hopper: Development of an American Artist

Phoenix Art Museum, Arizona, November 5, 1982-January 9, 1983. Aspen Center for Visual Arts, Colorado, January 21-March 6, 1983. Art Museum of South Texas, Corpus Christi, March 18-May 1, 1983.

The World of Edward Hopper

Art Gallery of South Australia, Adelaide, March 5-April 4, 1982. National Gallery of Victoria, Melbourne, April 20-May 23, 1982. Queensland Art Gallery, Brisbane, June 11-July 11, 1982. Art Gallery of New South Wales, Sydney, July 30-August 29, 1982.

Edward Hopper: The Art and the Artist

(NEA SPONSORED), Whitney Museum of American Art, New York, September 9, 1980-January 23, 1981; Hayward Art Gallery, London, Arts Council of Great Britain, February 11-March 29, 1981; Stedelijk Museum, Amsterdam, April 22-June 17, 1981; Städtische Kunsthalle, Düsseldorf, July 10-September 6, 1981; The Art Institute of Chicago, October 3-November 29, 1981; San Francisco Museum of Modern Art, December 16, 1981-February 14, 1982.

Edward Hopper the Art and the Artist cover

Edward Hopper: The Formative Years

San Jose Museum of Art, California, October 16-November 30, 1980; Newport Museum and Art Gallery, Wales, January 10-February 14, 1981; The Fruit Market Gallery, Edinburgh, February 28-April 5, 1981; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, West Germany, April 19-May 31, 1981; Mostyn Gallery, Llandudno, Wales, August 14-October 3, 1981; PADIGLIONE D’ARTE CONTEMPORANEA, MILAN, OCTOBER 18-NOVEMBER 19, 1982.


Gail Levin with art preparators in Wales, 1981

Abstraction:Towards a New Art

The Tate Gallery, London, February 6-April 13, 1980 (organizer of the American art section).

Edward Hopper: Prints and Illustrations (NEA SPONSORED)

Whitney Museum of American Art, New York, September 17-December 9, 1979; Museum of Fine Arts, Boston, February 5-March 16, 1980; Georgia Museum of Art, Athens, March 30-May 11, 1980; Fort Worth Art Museum, Texas, June 10-July 20, 1980; Milwaukee Art Center, Wisconsin, August 7-September 21, 1980; San Jose Museum of Art, California, October 16-November 30, 1980.

Abstract Expressionism: The Formative Years

(NEA SPONSORED), Herbert F. Johnson Museum of Art, Cornell University, March 30-May 14, 1978; Seibu Museum of Art, Tokyo, Japan, June 17-July 12, 1978; Whitney Museum of American Art, New York, October 3-December 3, 1978.

Abstract Expressionism coverabex the formative yearsAbstract Expressionism Japanese Cover

abex the formative years 1abex the formative years 2

Installation view at the Whitney Museum
Exhibition REVIEWS

Synchromism and American Color Abstraction, 1910-1925

(NEA). Whitney Museum of American Art, January 24-March 26, 1978; Museum of Fine Arts, Houston, April 20-June 18, 1978; Des Moines Art Center, Iowa, July 6-September 3, 1978; San Francisco Museum of Modern Art, September 22-November 19, 1978; Everson Musuem of Art, Syracuse, December 15, 1978-January 28, 1979; Columbus Museum of Art, Ohio, February 15-March 24, 1979.


Official Catalog Citation

Gail at the Whitney photos

Morgan Russell: Synchromist Studies, 1910-1922

The Museum of Modern Art, New York, March 16-May 25, 1976.

Japanese Prints and Their Impact in the West

Cummings Art Center, Connecticut College, New London, October 1-December 15, 1975.
Exhibition REVIEWS